{"id":1137,"date":"2024-08-26T12:15:11","date_gmt":"2024-08-26T10:15:11","guid":{"rendered":"https:\/\/www.repub.sk\/?page_id=1137"},"modified":"2026-01-27T19:38:57","modified_gmt":"2026-01-27T18:38:57","slug":"knizne-tipy","status":"publish","type":"page","link":"https:\/\/www.repub.sk\/?page_id=1137","title":{"rendered":"Kni\u017en\u00e9 tipy"},"content":{"rendered":"\n

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Jason Hickel – Less is more: How Degrowth Will Save the World <\/em>(2021)<\/h2>\n\n\n\n
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Antropol\u00f3g Jason Hickel sa v knihe zameriava na probl\u00e9m doktr\u00edny nekone\u010dn\u00e9ho hospod\u00e1rskeho rastu, ktor\u00fd ignoruje zdrojov\u00e9 a environment\u00e1lne limity na\u0161ej plan\u00e9ty. Napriek skuto\u010dnosti, \u017ee de\u0161truk\u010dn\u00fd vplyv v\u00fdrobn\u00e9ho sp\u00f4sobu dynamick\u00e9ho kapitalizmu je dnes u\u017e hmatate\u013en\u00fd vo viacer\u00fdch rovin\u00e1ch dot\u00fdkaj\u00facich sa previazen\u00e9ho spolo\u010densk\u00e9ho a pr\u00edrodn\u00e9ho sveta, neexistuje v\u0161eobecn\u00e1 v\u00f4\u013ea t\u00fdch, ktor\u00ed z tohto sp\u00f4sobu profituj\u00fa, transformova\u0165 syst\u00e9m na jeho ekologicky spravodlivej\u0161iu podobu. Je mo\u017en\u00e9 klimatick\u00fa zmenu a jej negat\u00edvne d\u00f4sledky e\u0161te odvr\u00e1ti\u0165? Ak \u00e1no, bude to mo\u017en\u00e9 len na z\u00e1klade prec\u00edznej identifik\u00e1cie pr\u00ed\u010din materi\u00e1lnych podmienok \u013eudstva, o ktor\u00e9 sa pok\u00fa\u0161a aj samotn\u00fd autor. <\/p>\n<\/blockquote>\n\n\n\n

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Zygmunt Bauman – Individualizovan\u00e1 spole\u010dnost<\/em> (2001) <\/h2>\n\n\n\n
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V\u00fdznamn\u00fd sociol\u00f3g Zygmunt Bauman a z\u00e1rove\u0148 autor pojmu tekut\u00e1 modernita, sk\u00fama v knihe Individualizovan\u00e1 spolo\u010denost<\/em> kvalitat\u00edvnu premenu identity modern\u00e9ho \u010dloveka. T\u00e1to zmena nast\u00e1va spolo\u010dne s premenou dominantnej kult\u00fary v d\u00f4sledku p\u00f4sobenia ideol\u00f3gie, ktor\u00e1 presadzuje radik\u00e1lny individualizmus. Pr\u00ed\u010diny rozkladu kolekt\u00edvnej spolo\u010denskej imagin\u00e1cie a radik\u00e1lnu zmenu spolo\u010densk\u00fdch \u0161trukt\u00far identifikuje skrz kontrasty lok\u00e1lneho a glob\u00e1lneho, s\u00fakromn\u00e9ho a verejn\u00e9ho. Individualizovan\u00e1 bytos\u0165 je pre modern\u00fd svet nielen t\u00fdm, k \u010domu by mal \u010dlovek a\u0161pirova\u0165 sleduj\u00fac v snahe z\u00edska\u0165 \u00faspech a jedine\u010dnos\u0165, ale st\u00e1va sa a\u017e podmienkou na\u0161ej doby.<\/p>\n<\/blockquote>\n\n\n\n

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Joshua Frydman – Japonsk\u00e9 m\u00fdty: Bohovia, hrdinovia a duchovia <\/em>(2023)\u00a0<\/h2>\n\n\n\n
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Kniha pon\u00faka d\u00f4sledn\u00fd preh\u013ead o p\u00f4vode a v\u00fdvoji japonskej mytol\u00f3gie a jej vplyvu na modern\u00fa kult\u00faru a n\u00e1bo\u017eenstvo. Zah\u0155\u0148a legendy od najstar\u0161\u00edch \u010dias, cez stredovek\u00e9 pr\u00edbehy, a\u017e po modern\u00e9 interpret\u00e1cie s prec\u00edznym historick\u00fdm a kult\u00farnym kontextom. In\u0161piruj\u00faca kniha je obohaten\u00e1 o vizu\u00e1lny prvok, vytv\u00e1raj\u00faci autentick\u00fd z\u00e1\u017eitok z japonsk\u00e9ho umenia a  legiend.<\/p>\n<\/blockquote>\n\n\n\n

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Alfr\u00e9d T\u00f3th – Poh\u013eadnice<\/em><\/h2>\n\n\n\n
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Autor b\u00e1snickej knihy Poh\u013eadnice<\/em>, ktor\u00e1 vy\u0161la v tomto roku v ko\u0161ickom vydavate\u013estve Horsk\u00e1 lucerna,  <\/em>je laure\u00e1tom viacer\u00fdch s\u00fa\u0165a\u017e\u00ed pre za\u010d\u00ednaj\u00facich autorov a organiz\u00e1torom liter\u00e1rnych podujat\u00ed v Ko\u0161iciach. Vo svojej b\u00e1snickej zbierke sa vyd\u00e1va cestou zachytenia pr\u00edbehov, ktor\u00e9 n\u00e1m s\u00edce nemusia patri\u0165, no ka\u017ed\u00fd z n\u00e1s ich v sebe skr\u00fdva. Alfr\u00e9d im poskytuje mo\u017enos\u0165 vypl\u00e1va\u0165 na povrch a zve\u010dni\u0165 sa v b\u00e1sni-poh\u013eadnici, adresovanej svojim priate\u013eom. <\/p>\n<\/blockquote>\n\n\n\n

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Medzi ide\u00e1lom a realitou<\/em><\/h2>\n\n\n\n
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Tradi\u010dne sa z poslednej katedrovej konferencie vyd\u00e1val zborn\u00edk, v ktorom participanti odovzdali svoje pr\u00edspevky v textovej podobe. Zborn\u00edk s n\u00e1zvom, ktor\u00fd odr\u00e1\u017eal tematiku konferencie \u2013 \u201eMedzi ide\u00e1lom a realitou<\/em>\u201c, obsahuje \u0161irok\u00e9 spektrum publik\u00e1ci\u00ed, venuj\u00facim sa r\u00f4znym problematik\u00e1m. Svoje publik\u00e1cie zverejnili v zborn\u00edku nielen \u010dlenovia na\u0161ej katedry, ale aj viacer\u00ed v\u00fdznamn\u00ed \u010dlenovia politologickej obce z in\u00fdch pracov\u00edsk.<\/p>\n<\/blockquote>\n\n\n\n

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Zygmunt Bauman – \u00davahy o postmodern\u00ed dob\u011b<\/em><\/h2>\n\n\n\n
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Dielo je Baumanov\u00fdm poh\u013eadom na dynamiku s\u00fa\u010dasnej spolo\u010dnosti, ktor\u00e1 sa vyzna\u010duje neust\u00e1lou premenou. S\u00fahrnom je n\u00e1vod, ako porozumie\u0165 postmodern\u00e9mu svetu, kde istoty minulosti ustupuj\u00fa neust\u00e1le sa meniacim norm\u00e1m a hodnot\u00e1m. Neodvracia sa od svojich kritick\u00fdch postojov k modernite a pon\u00faka jedine\u010dn\u00e9 h\u013eadisk\u00e1 nazerania na soci\u00e1lne vz\u0165ahy \u010di individualiz\u00e1ciu, ktor\u00fdch d\u00f4sledky s\u00fa neoddelite\u013enou s\u00fa\u010das\u0165ou politick\u00fdch a ekonomick\u00fdch syst\u00e9mov.<\/p>\n<\/blockquote>\n\n\n\n

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Ivana Komanick\u00e1 – Po\u00e9zia pre dvoch<\/em> (2023)<\/h2>\n\n\n\n
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B\u00e1snick\u00e1 kniha Po\u00e9zia pre dvoch od<\/em> filozofky, spisovate\u013eky a zakladate\u013eky ko\u0161ick\u00e9ho vydavate\u013estva <\/em>Horsk\u00e1 lucerna, Ivany Komanickej<\/em>, zasiahne \u010ditate\u013ea svojou nekompromisnou intimitou pri zachycovan\u00ed pre\u017e\u00edvania partnersak\u00e9ho vz\u0165ahu a krehkos\u0165ou, ktor\u00fa so sebou osobn\u00e9 v\u00fdpovede nes\u00fa. Zbierka obsahuje b\u00e1sne v sloven\u010dine a angli\u010dtine, \u010d\u00edm otv\u00e1ra priestor pre nov\u00e9 jazykov\u00e9 interpret\u00e1cie. <\/p>\n<\/blockquote>\n\n\n\n

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Milan Kundera – Nesnesiteln\u00e1 lehkost byt\u00ed<\/em><\/h2>\n\n\n\n
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\u017divot sa m\u00f4\u017ee udia\u0165 len raz – preto by sa ako keby v\u00f4bec nestal.<\/em> V \u017eivotoch in\u00fdch sa rod\u00edme z nepredv\u00eddate\u013en\u00fdch situ\u00e1ci\u00ed, neust\u00e1le sa vyv\u00edjaj\u00facich momentov a domnel\u00fdch zav\u0155\u0161en\u00ed, pri\u010dom nakoniec m\u00f4\u017ee by\u0165 v\u0161etko \u00faplne inak. Prozaick\u00e9 dielo od Milana Kundery<\/em> vy\u0161lo v roku 1984. Rom\u00e1n je pozna\u010den\u00fd sk\u00fasenos\u0165ami autora so \u017eivotom v exile. Filozofiou podkut\u00fd rom\u00e1n vych\u00e1dza z mot\u00edvu l\u00e1sky a int\u00edmnej spovede protagonistu, ale rovnako aj z reflexie politick\u00fdch re\u00e1li\u00ed z obdobia b\u00fdval\u00e9ho re\u017eimu. Neznesite\u013en\u00fdm je uvedomenie nevyhnutnosti bytia, pln\u00e9ho rozporov a nemo\u017enosti univerz\u00e1lneho v\u00fdkladu ako \u017eivota, tak aj interpret\u00e1cie pre\u017e\u00edvania hlavn\u00fdch post\u00e1v rom\u00e1nu, Tom\u00e1\u0161a a Terezy. <\/p>\n<\/blockquote>\n\n\n\n

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3. Pawel Smole\u0144ski – O\u010di zasypan\u00e9 <\/strong>pieskom <\/strong>(tip od \u0161tudentky: Veronika Jamnick\u00e1) <\/p>\n\n\n\n

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Izraelsko-palest\u00ednsky konflikt o\u010dami  nevidite\u013enych protagonistov ka\u017edodennosti. Prostredn\u00edctvom rozhovorov s izraelsk\u00fdm a palest\u00ednskym obyvate\u013estvom autor mimoriadne citlivo a s ve\u013ekou snahou o objektivitu otv\u00e1ra dvere \u0161ir\u0161iemu uchopeniu probl\u00e9mu, ktor\u00fd nie je r\u00e1mcovan\u00fd ako boj \u017didov a Arabov, ale ako boj zaslepenej ideol\u00f3gie, genera\u010dnej krivdy a nen\u00e1visti s toleranciou a empatiou. Hlavn\u00ed protagonisti pr\u00edbehu si uvedomuj\u00fa, \u017ee bez vz\u00e1jomnej tolerancie ned\u00f4jde k uspokojiv\u00e9mu zmieru, no z\u00e1rove\u0148 s\u00fa za tento postoj ostrakizovan\u00ed vlastn\u00fdm okol\u00edm, \u010di u\u017e s\u00fa na jednej, alebo druhej strane. O\u010di zasypan\u00e9 pieskom <\/em>s\u00fa p\u00fatavou a pou\u010dnou sondou do samotneho jadra konfliktu, no \u00faplne inak, ako sme pri tejto t\u00e9me zvyknut\u00ed. <\/p>\n\n\n\n

November 2024 <\/h4>\n\n\n\n

1.  Erich Fromm – Ma\u0165 \u010di by\u0165 (1976)<\/p>\n\n\n\n

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Ot\u00e1zka vypl\u00fdvaj\u00faca z titulu knihy bola pre nemeck\u00e9ho psychol\u00f3ga a filozofa Ericha Fromma <\/em>k\u013e\u00fa\u010dovou pre vysvetlenie spolo\u010densk\u00fdch zmien, ktor\u00e9 prin\u00e1\u0161a neskor\u00fd kapitalizmus. Probl\u00e9my radik\u00e1lneho hedonizmu a individualizmu, kritika dynamick\u00e9ho kapitalizmu,  rovnako ako aj rozklad autentick\u00fdch medzi\u013eudsk\u00fdch vz\u0165ahov s\u00fa hlavn\u00e9 in\u0161pir\u00e1cie a t\u00e9my, ktor\u00fdmi sa autor dlhodobo zaober\u00e1 a aplikuje ich na dva z\u00e1kladn\u00e9 sp\u00f4soby \u013eudskej existencie, sp\u00f4sobu \u201cma\u0165\u201d a sp\u00f4sobu \u201cby\u0165\u201d. Sp\u00f4sob ma\u0165 vid\u00ed v\u0161etko ako vlastn\u00edctvo, zatia\u013e \u010do v sp\u00f4sobe bytia vn\u00edmame seba sam\u00fdch ako nosite\u013eov vlastnost\u00ed a schopnost\u00ed, a nie ako konzumentov vec\u00ed. <\/p>\n\n\n\n

2. Barbara Korun – Pr\u00eddem hne\u010f a in\u00e9 b\u00e1sne (2018)<\/p>\n\n\n\n

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Zbierka b\u00e1sn\u00ed od slovinskej poetky a redaktorky Barbary Korun<\/em> (1963), s citlivos\u0165ou jej vlastnou, vyzret\u00fdm b\u00e1snick\u00fdm jazykom odomyk\u00e1 svety intimity, nehy a krehkosti vz\u0165ahu. Intenz\u00edvna \u013e\u00fabostn\u00e1 lyrika je popretk\u00e1van\u00e1 symbolizmom, \u010d\u00edm u \u010ditate\u013ea vyvol\u00e1va pocit sn\u00edvania. Napriek hlbokej intimite b\u00e1sn\u00ed sa stret\u00e1vame s pr\u00edstupnos\u0165ou prec\u00edzneho poetick\u00e9ho jazyka aj pre be\u017en\u00e9ho \u010ditate\u013ea.   <\/p>\n\n\n\n

3. Ali Tariq – Pir\u00e1ti Karibiku (2006) <\/p>\n\n\n\n

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Na z\u00e1klade svojich sk\u00fasenost\u00ed z ciest po Latinskej Amerike a stretnut\u00ed s \u013eavicov\u00fdmi l\u00eddrami, sa novin\u00e1r, aktivista a publicista Tariq Ali<\/em> rozhodol prinies\u0165 vlastn\u00fd poh\u013ead na politick\u00e9 re\u00e1lie tohto rozmanit\u00e9ho regi\u00f3nu politick\u00fdch pir\u00e1tov a rebelov, v ktorom napriek nepriazniv\u00e9mu historicko-politick\u00e9mu v\u00fdvoju vid\u00ed alternat\u00edvu pri h\u013eadan\u00ed spravodlivej\u0161ieho usporiadania sveta. <\/p>\n\n\n\n

Okt\u00f3ber 2024<\/h4>\n\n\n\n

(Mgr. L\u00edvia J\u00e1no\u0161\u00edkov\u00e1)<\/p>\n\n\n\n

1. Peter Tak\u00e1\u010d – \u017di\u017eek a t\u00ed druh\u00ed (2023)<\/p>\n\n\n\n

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Ak\u00fa podobu dost\u00e1va ideol\u00f3gia v dobe, ktor\u00e1 deklaruje jej prekonanie? Celospolo\u010densk\u00fd odklon od vyzn\u00e1vania a praktizovania organizovan\u00e9ho n\u00e1bo\u017eenstva \u010di jednotnej ideol\u00f3gie, ktor\u00fd je pre s\u00fa\u010dasnos\u0165 charakteristiky, neznamen\u00e1 nutne kolekt\u00edvne odumieranie viery. Ani fukuyamovsk\u00e9 v\u00ed\u0165azstvo liber\u00e1lnej demokracie toti\u017e neprineslo odumieranie ideol\u00f3gie, ktor\u00e1 len nadobudla fluidnej\u0161iu formu. Na ot\u00e1zku  \u201e<\/em>\u010domu dnes ver\u00edme?<\/em>\u201d sa filozof Peter Tak\u00e1\u010d<\/em> pok\u00fa\u0161a n\u00e1js\u0165 odpove\u010f vo svojej knihe Ideol\u00f3gia v postideologickej dobe<\/em>, vych\u00e1dza z myslenia s\u00fa\u010dasn\u00e9ho slovinsk\u00e9ho filozofa, Slavoja \u017di\u017eeka<\/em>. <\/p>\n\n\n\n

2. Sylvia Plath – Ariel (1965)<\/p>\n\n\n\n

B\u00e1snick\u00e1 zbierka Ariel <\/em>je jedn\u00fdm z najzn\u00e1mej\u0161\u00edch a najvplyvnej\u0161\u00edch diel americko-britskej autorky Silvye Plath<\/em>, ktor\u00e9 sa radia medzi modern\u00fa angloamerick\u00fa literat\u00faru. Tragick\u00e9 \u017eivotn\u00e9 okolnosti sprev\u00e1dzaj\u00face vydanie zbierky sa premietaj\u00fa v osobn\u00fdch spovediach autorky a z\u00e1rove\u0148 sa vyva\u017euj\u00fa autentick\u00fdm a citliv\u00fdm poetick\u00fdm jazykom. <\/p>\n\n\n\n

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3. Silvia \u0160tub\u0148ov\u00e1 Nigrelli, Katar\u00edna D\u017eunkov\u00e1, Martin Odler – V severnom vetre \u010d\u00edta\u0161 spr\u00e1v \u010falek\u00e9. Staroegyptsk\u00e1 \u013e\u00fabostn\u00e1 po\u00e9zia. (2023)<\/p>\n\n\n\n

Aktu\u00e1lnos\u0165 t\u00e9m, ktor\u00e9 prin\u00e1\u0161a staroegyptsk\u00e1 \u013e\u00fabostn\u00e1 po\u00e9zia, m\u00f4\u017ee s\u00fa\u010dasn\u00e9ho \u010ditate\u013ea prekvapi\u0165. Zbierka b\u00e1sni V severnom vetre \u010d\u00edta\u0161 spr\u00e1vy \u010falek\u00e9<\/em> bola pripravovan\u00e1 s prec\u00edznym dobov\u00fdm kontextom, v\u010faka ktor\u00e9mu si pripom\u00edname nad\u010dasovos\u0165 mot\u00edvov v \u013eudskom pre\u017e\u00edvan\u00ed l\u00e1sky, sm\u00fatku a radosti, spolu s na\u0161ou bl\u00edzkos\u0165ou vzdialen\u00e9ho Starovek\u00e9ho Egypta. V\u00fdber textov je obohaten\u00fd o poetick\u00fd jazyk p\u00f4vodn\u00fdch prekladov a o vysvetlenie historick\u00fdch mot\u00edvov.<\/p>\n\n\n\n

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September 2024<\/h4>\n\n\n\n

(Mgr. L\u00edvia J\u00e1no\u0161\u00edkov\u00e1)<\/p>\n\n\n\n

September 2024<\/p>\n\n\n\n

Mark Fisher – Postkapitalistick\u00e1 t\u00fa\u017eba (2023)<\/strong><\/p>\n\n\n\n

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    T\u00fa\u017ei \u010dlovek \u017eij\u00faci v postkapitalizme v\u00f4bec e\u0161te po nie\u010dom inom, ako je status quo? Dok\u00e1\u017eeme si v\u00f4bec e\u0161te predstavi\u0165 spravodlivej\u0161ie a lep\u0161ie usporiadanie spolo\u010dnosti, ktor\u00e9 popiera princ\u00edpy vo\u013enotrhovej ekonomiky rast\u00facej a\u017e pok\u00fdm nenaraz\u00ed na svoje zdrojov\u00e9 limity? Dok\u00e1\u017eeme sa vzda\u0165 konzumn\u00e9ho a hedonistick\u00e9ho sp\u00f4sobu \u017eivota, ktor\u00fd je zalo\u017een\u00fd na neust\u00e1lom pr\u00edsune dopam\u00ednu a komod\u00edt? Podobn\u00e9 ot\u00e1zky si kladie aj profesor Mark Fisher v knihe, ktor\u00fa odpor\u00fa\u010dame.  <\/p>\n\n\n\n

    S\u00e9ria univerzitn\u00fdch predn\u00e1\u0161ok anglick\u00e9ho filozofa Marka Fishera <\/em>v knihe Postkapitalistick\u00e1 t\u00fa\u017eba j<\/em>e koncipovan\u00e1 na z\u00e1klade z\u00e1znamov zo skuto\u010dn\u00fdch predn\u00e1\u0161ok a diskusi\u00ed, ktor\u00e9 profesor viedol so svojimi \u0161tudentmi. <\/p>\n\n\n\n

    Jana Bodn\u00e1rov\u00e1 – Ko\u017ea (2019)<\/strong><\/p>\n\n\n\n

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      \"\"\/<\/figure>\n\n\n\n

      \u201e…by\u0165 vyladen\u00e1 so s\u00fa\u010dasn\u00fdm svetom. M\u00e1m v sebe sie\u0165. Tis\u00edcky mikronit\u00ed. Lovia skuto\u010dnos\u0165 ako pav\u00faky. Menia ju na \u0165a\u017eko pochopite\u013en\u00fd svet.\u201d  <\/p>\n\n\n\n

      Slovensk\u00e1 spisovate\u013eka a kunsthistori\u010dka Jana Bodn\u00e1rov\u00e1 <\/em>so svojim dielom Ko\u017ea<\/em> je \u010fal\u0161\u00edm dielom, ktor\u00e9 na\u0161a redakcia tento mesiac odpor\u00fa\u010da. Protagonistka, umelky\u0148a K., ktor\u00e1 prostredn\u00edctvom svojej v\u00fdtvarnej tvorby v ne\u013eahk\u00fdch medzin\u00e1rodno-politick\u00fdch kontextoch, h\u013ead\u00e1 a spozn\u00e1va doteraz neobjaven\u00e9 umeleck\u00e9 a osobn\u00e9 svety. <\/p>\n\n\n\n

      William Shakespeare – Macbeth <\/strong><\/p>\n\n\n\n

        \n
      1. <\/li>\n<\/ol>\n\n\n\n
        \"\"<\/figure>\n\n\n\n

        T\u00fa\u017eba po moci, ktor\u00e1 n\u00fati zab\u00edja\u0165, je hlavnou t\u00e9mou nad\u010dasovej trag\u00e9die publikovanej v roku 1623 od najzn\u00e1mej\u0161ieho anglick\u00e9ho dramatika. V kni\u017enom aj divadelnom preveden\u00ed m\u00e1 pozorovate\u013e mo\u017enos\u0165 ponori\u0165 sa do sveta osobnostnej premeny \u0161k\u00f3tskeho man\u017eelsk\u00e9ho p\u00e1ru, ktor\u00fd podlieha nekontrolovate\u013enej a zni\u010duj\u00facej t\u00fa\u017ebe vl\u00e1dnu\u0165, podnecuj\u00facej k zrade, chamtivosti, klamstv\u00e1m a\u017e k vra\u017ede. Postupn\u00e1 zmena charakteru hlavn\u00fdch post\u00e1v je podnieten\u00e1 zhubuj\u00facou paranojou, ktor\u00e1 ohavn\u00e9 skutky man\u017eelov zacykluje a preplet\u00e1va v pavu\u010dine podvodov a intr\u00edg. O prv\u00e9 zhudobnenie hry sa postaral taliansky skladate\u013e, Giuseppe Verdi. <\/em>Opern\u00e9 prevedenie hry si m\u00f4\u017eete pozrie\u0165 aj v N\u00e1rodnom divadle v Ko\u0161iciach.<\/em><\/p>\n\n\n\n

        <\/p>\n\n\n\n

        Silvia Ruppeldtov\u00e1 – Druh\u00e1 tv\u00e1r modernity – Eseje o Latinskej Amerike <\/em>(2023)<\/strong><\/h2>\n\n\n\n
        \n

        Publicistka a prekladate\u013eka Silvia Ruppeldtov\u00e1 <\/em>prin\u00e1\u0161a vo svojej knihe Druh\u00e1 tv\u00e1r modernity – Eseje o Latinskej Amerike<\/em> prin\u00e1\u0161a bohat\u00fd v\u00fdber kritick\u00fdch esej\u00ed o hist\u00f3rii prisvojovania si \u201cnov\u00e9ho sveta\u201d eur\u00f3pskymi kolonistami. V kontexte historicko-politick\u00e9ho diania v tomto regi\u00f3ne z\u00e1rove\u0148 vyvracia eurocentrick\u00e9 narat\u00edvy a m\u00fdty o kult\u00fare p\u00f4vodn\u00fdch obyvate\u013eov Amer\u00edk a ich sp\u00f4sobu \u017eivota spred a po eur\u00f3pskej koloniz\u00e1cii. Tie kladie do kontrastu s trpkou, no re\u00e1lne pre\u017e\u00edvanou sk\u00fasenos\u0165ou p\u00f4vodn\u00e9ho obyvate\u013estva, \u010d\u00edm nastavuje zrkadlo odvr\u00e1tenej strane modernity, ktor\u00e1 st\u00e1la za zrodom s\u00fa\u010dasn\u00e9ho glob\u00e1lneho mocensk\u00e9ho usporiadania. Druh\u00e1 tv\u00e1r modernity poukazuje na odvr\u00e1ten\u00fa a ni\u010div\u00fa str\u00e1nku drancovania pr\u00edrodn\u00fdch zdrojov glob\u00e1lneho Juhu, ktor\u00e9 st\u00e1li za na\u0161tartovan\u00edm r\u00fdchleho priemyseln\u00e9ho, respekt\u00edve technologick\u00e9ho rozvoja glob\u00e1lneho Severu, no takisto prin\u00e1\u0161a erudovan\u00fd poh\u013ead na problematiku vzniku hnut\u00ed odporu a radik\u00e1lnych politick\u00fdch hnut\u00ed v Latinskej Amerike. 
        <\/p>\n<\/blockquote>\n\n\n\n

        <\/p>\n\n\n\n

        Zbigniew Machej – Ver\u0161e proti zda\u0148ovaniu po\u00e9zie<\/em> (2015)<\/strong><\/h2>\n\n\n\n
        \n

        Zbierka b\u00e1sn\u00ed od po\u013esk\u00e9ho b\u00e1snika a esejistu, Zbigniewa Macheja<\/em>, je zauj\u00edmav\u00e1 nielen v\u010faka origin\u00e1lnej rytmike, rozmanitos\u0165ou b\u00e1snick\u00fdch n\u00e1metov, hrami so slovom a jazykom \u010di d\u00e1vkou intelektu\u00e1lneho humoru, ale najm\u00e4 svojou kritikou s\u00fa\u010dasnej politicko-kult\u00farnej situ\u00e1cie prostredn\u00edctvom vycibren\u00e9ho poetick\u00e9ho jazyka. Svojou kritikou niekedy priamo, inokedy menej jednozna\u010dne, reaguje na aktu\u00e1lne t\u00e9my, ak\u00fdmi s\u00fa masovos\u0165 a g\u00fd\u010dovitos\u0165 s\u00fa\u010dasn\u00e9ho umenia a dominantnej kult\u00fary, do ktorej presahuj\u00fa konzumn\u00e9 trhov\u00e9 princ\u00edpy. Skrz nezamenite\u013en\u00fa osobn\u00fa sk\u00fasenos\u0165 autora a jeho sk\u00fasenosti, najm\u00e4 z prostredia porevolu\u010dnej V\u00fdchodnej Eur\u00f3py (vr\u00e1tane Slovenska), je \u010ditate\u013e sprev\u00e1dzan\u00fd v\u00fdvojom Machejov\u00fdch postojov vo\u010di \u00falohe b\u00e1snika a samotnej po\u00e9zie v dynamicky meniacom sa modernom svete, ktor\u00fd na mnoh\u00e9 zabudol. 
        <\/p>\n<\/blockquote>\n\n\n\n

        <\/p>\n\n\n\n

        Kl\u00e1ra Koh\u00fatov\u00e1 <\/strong>– Lun\u00edk IX \u2013 spomienky \u2013 pam\u00e4ti<\/em> (2022)<\/strong><\/h2>\n\n\n\n
        \n

        Kniha je s\u00faborom pam\u00e4t\u00ed, konkr\u00e9tne dvan\u00e1stich rozhovor s obyvate\u013emi ko\u0161ick\u00e9ho s\u00eddliska Lun\u00edk IX a je obohaten\u00e1 o ilustr\u00e1cie det\u00ed z ob\u010dianskeho zdru\u017eenia ETP Slovensko.  Autentickos\u0165 v\u00fdpoved\u00ed pod\u010diarkuje kritick\u00fa oblas\u0165 vysporiadania sa s pre\u017e\u00edvanou segreg\u00e1ciou v ko\u0161ickom prostred\u00ed, vo\u010di ktorej je majoritn\u00e9 obyvate\u013estvo \u010dasto \u013eahostajn\u00e9, pri\u010dom \u010ditate\u013eov konfrontuje s kontrastom krehkosti a sily \u013eudskej du\u0161e, ktor\u00fa rozpr\u00e1va\u010di prezentuj\u00fa. 
        <\/p>\n<\/blockquote>\n\n\n\n

        <\/p>\n\n\n\n

        <\/p>\n","protected":false},"excerpt":{"rendered":"

        Jason Hickel – Less is more: How Degrowth Will Save the World (2021) Antropol\u00f3g Jason Hickel sa v knihe zameriava na probl\u00e9m doktr\u00edny nekone\u010dn\u00e9ho hospod\u00e1rskeho rastu, ktor\u00fd ignoruje zdrojov\u00e9 a environment\u00e1lne limity na\u0161ej plan\u00e9ty. Napriek skuto\u010dnosti, \u017ee de\u0161truk\u010dn\u00fd vplyv v\u00fdrobn\u00e9ho sp\u00f4sobu dynamick\u00e9ho kapitalizmu je dnes u\u017e hmatate\u013en\u00fd vo viacer\u00fdch rovin\u00e1ch dot\u00fdkaj\u00facich sa previazen\u00e9ho spolo\u010densk\u00e9ho a […]<\/p>\n","protected":false},"author":8,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"open","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1137","page","type-page","status-publish","hentry"],"yoast_head":"\nKni\u017en\u00e9 tipy - RE:PUB<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.repub.sk\/?page_id=1137\" \/>\n<meta property=\"og:locale\" content=\"sk_SK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kni\u017en\u00e9 tipy - RE:PUB\" \/>\n<meta property=\"og:description\" content=\"Jason Hickel – Less is more: How Degrowth Will Save the World (2021) Antropol\u00f3g Jason Hickel sa v knihe zameriava na probl\u00e9m doktr\u00edny nekone\u010dn\u00e9ho hospod\u00e1rskeho rastu, ktor\u00fd ignoruje zdrojov\u00e9 a environment\u00e1lne limity na\u0161ej plan\u00e9ty. 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